It’s diary time! I wasn’t sure what to write about for a while; I have, however, recently made a playlist of some of my favorite albums: albums that I cannot bear to hit “skip” on. Do I not like singles? Or just one song? No, of course I do! But – liking a whole album in its entirety is a special thing, I think. I’m a big fan of albums that I can listen to from bottom to top, backwards & forwards, through & through & through. To me, it’s the ultimate sign that I will never stop listening to ___ album; that I’ll associate it with important events or people. These albums, in their entirety, provide a rush of emotion & color.
Some other contributing factors? Well, I have synesthesia, though it’s not crazy powerful. I can’t see colors in front of my eyes when I hear a single note, but I associate colors & textures with certain songs, pieces, or albums. If I hear a song, piece, or album & immediately start strongly associating it with various colors, moods, textures, color scales, etc., I know that I’ve found an album that speaks very strongly to me. Same goes with crying, believe it or not – oftentimes, I think one of the best signs that an album is a good one is that it prompts emotion. I’m all about music being an emotional outlet, & I listen to all types. They all provide me with relief, joy, happiness, melancholy…anything that I am feeling, I can find some music that helps me put a soundtrack to my life, no matter how happy or sad it is in that moment.
I listen to all types of music – a lot of classical, really. Makes sense, given my music background, but if I shared a top ten list of classical albums that I like & told you why, you’d be still reading, 12 hours later. It would take forever, & that’s what I use my musicology classes for. However – if you’re interested in getting some classical recs, don’t be afraid to hit me up on my socials! (Instagram, Twitter)
Here I present: The Top Ten Albums I Can’t Hit Skip On (& Why) ***in no particular order. Also: here’s my Spotify. Feel free to follow me, check out my playlists, or do both! Or…do none. ALSO: I’ll be putting a few personal photos after each mini review of each album. Some will be photos of me listening to ____ album while doing something; some will be photos of things I associate with ___ album. Enjoy!!!!!!!
I was quite young when this album came out. I remember being at Interlochen Arts Academy Summer Music Camp as a violin student & going to “mixers” (you know the deal) & hearing the song “We Are Young (ft. Janelle Monae.” That’s when I first started associating it with positive events in my life. I continued on to hear the whole album. When I left Interlochen, heartbroken, (as one is after summer camp) the sadder songs served as emotional outlets. The fast-paced ones let me go on long bike rides. It was one of the first pop albums I listened to through & through – & I cried more than once. Okay, maybe I still do…but remember: tears while listening to or playing music are okay!
My favorites? Well…”We Are Young” of course. I adore the “Some Nights – Intro,” & how it seamlessly melds into Some Nights, the song itself. There’s an incredible amount of emotion bottled up in both those songs – both extraordinary opposites when it comes to style, but lyrically, almost identical. “Out On The Town – Bonus Track” is another favorite. One of those melancholy breakup songs you can cry to.
As a whole, this album incorporates a lot of different instruments & sounds, as well as featuring other artists. It works as an album, & all the songs work by themselves, too. It’s emotional, exposed, & I fondly think back to my 15 year old self when I turn it up loud once & a while.
Everyone fights me on this – but I truly do think that 808s is Kanye’s best album. Again – lots of raw, pent-up emotion. Kanye, for the first time, actually sang…but used auto-tune. This provides a somewhat distant, robotic effect while contrasting with the emotional lyrics & melancholy background music. It’s eerie in the best way possible. My favorites are…all of them, really. “Say You Will” & “Paranoid” are almost complete opposites, but I love the lyrics & drive behind both of them. My favorite, of course, is “RoboCop” – I don’t know what it is about this song, but it speaks to me. It’s very colorful – lots of neon lights, blue lights, disco balls…that kind of a mood. “Pinocchio Story (Freestyle Live)” is also a great one: it truly is a live performance; there are cracks & dips in Kanye’s voice, & screaming fans sometimes make the lyrics hard to hear. Some are annoyed by it. I, however, love it. It reminds me of the sensation of performing; what it’s like to perform at your most raw in front of huge crowds. It’s an adrenaline rush, & it’s bitter-sweet.
I hadn’t heard this album until around November of last year (2016). I was going through a rough emotional time & there were a lot of lonesome listening sessions with this album in my ears. It brings back a lot of bitter memories, with a tang of sweetness. It’s funny how sometimes, frightening & overwhelming things can happen to you…but they turn into an elaborate memory, reflecting feelings, smells, foods, & so many more things that you thought of or consumed or felt at that time. So: I’ll say it once, & I will say it twice – I’ll say it 100 times if I must. 808s & Heartbreak is Kanye West’s greatest album.
Okay. My obession with Lorde started when I heard her first song on the radio, late sophomore year of high school. That song, of course, was “Royals” – I looked up the music vidoe & was struck by this tiny, intense, curly-haired girl with a stare that could kill. The super minimalistic visuals of the video intrigued me, too. Lorde was mysterious, & so was her album – Pure Heroine is a teenager’s album, filled with an assurance, a sense of command, confidence, & times of freedom – & frustration. Her lyrics are rich. There is so much to dive in when looking at Pure Heroine. I dove in, alright. People started telling me I looked like Lorde: greeny-blue eyes, fair skiny, bushy, long hair…I embraced it & started putting on purple lipstick (the cheapest one I could find; a dark violet Revlon lipstick from my grocery shop’s cosmetic aisle), fluffing up my hair by letting it air-dry, wearing black, & developing a resting bitch face. I owe it to Lorde for people telling me I seem scary – I also owe her for helping me win my music school auditions. Songs like “Bravado,” “Tennis Court,” & “Swingin Party” helped me remember that I was worth something – they also allowed me to let my stress & emotions wash through me, rather than consume me. It was the soundtrack on airplanes, car rides – everywhere I went. I had finally found someone who was a “pop star” that I could identify with. She was human, she was odd, she danced weird. She didn’t care – & people loved her for that. Lorde was one of the best musical discoveries of my teenage years – no two ways about it.
Need I say more? I am what they’d call “a Harrie” – meaning, Harry Styles was my favorite One Direction member. I followed 1D’s every move when they were touring & recording – when I got sick, I asked to meet them through Make A Wish…& when I (most luckily) got the chance to do so, I ran straight to Harry. I have a tattoo on me that he drew for me. His fashion is something that truly inspires & encourages me to develop my own style. His kindness & love for the LGBT community is something I hold close to my heart, too.
As you might be able to tell: I’m a big fan, yes. Yes – of course I went to see Dunkirk! (It was good just as a film, too. Don’t worry) Of course I bought his album. Of course I’ll be seeing him on tour next year!
But, seriously. I was extraordinarily excited for Harry’s solo album. I wanted to hear more of his individual vocals & lyricism – & oh boy, did I get both! Some of the album sounds like classic British pop or rock. Others, like “Carolina” (which is about me, by the way…I’m Townes), are a bit of a tongue-in-cheek country song; “Woman” is an odd yet satisfying experience. Nothing can beat that quack noise in the background (but really, it’s a lovely song). I especially feel close to “From The Dining Table.” The lyrics are simple, but it feels like Harry is very up close to the mic – I almost get ASMR tingles when I listen to the song with the volume up. The subtle harmonies that actually do reach a climax contribute both to the delicacy & the power the song has. As for “Kiwi,” well…need I say it? HAVING YOUR BABY!!! NONE OF YOUR BUSINES-
Now…who doesn’t love some Beach House? Yes, some of their songs kind of do sound the same after a while (with some excellent exceptions), but the focus on background music playing just as large (if not larger) a role as the vocalists is extremely striking. Definitely a great album to listen to when crying. The lyrics can be hard to hear at times; the music can really get that loud & sometimes words are slurred for effect. If you really want the real deal, look up the lyrics before bed, then turn off your lights & have some melancholy me time.
This sounds like I’m bashing the album – I swear I’m not! Each of these songs is special to me. Another great album I was listening to through my tough time in November. “Space Song” is on every aesthetic Instgram video ever, but that doesn’t make it not good – I’m still not annoyed! I would say that my two favorites are “Levitation” & “10:37.” In “Levitation,” strings give texture & urgency to the line, while the gentle vocals allow the listener to lay back. The lyrcis are beautiful, but can be hard to hear, like I said. In “10:37,” the gentle but steady drum beat(s) provide comfort & safety; the vocals contribute to it. It’s a warm, gentle song – a beautiful experience.
Well – of course! I was first sucked into the Frank Ocean hype when “Super Rich Kids” was everywhere – but it’s been years, & we’d all been clamoring for the next album. It even became a meme. The wait was worth it, though: all of these songs boast a variety of styles & effects. In “Nikes,” for example, Frank’s voice is sped up. It heavily contrasts with “Futura Free,” in which Frank sings in his natural voice about how lucky he has been – but also about how hard he has worked, & how he & his family deserve what he’s gotten thanks to the talent he possesses. “Be Yourself,” a track simply consisting of a recorded voicemail message from someone’s mother, calling her child at a university. The mother is telling her child not to “do that cocaine” or marijuana, & warns the child about “weedheads” & the danger of alcohol. Of course – substance abuse is always going to be a “thing” for parents talking to their children…& yes, you should be careful with what you put in your body. In this context, however, the 1:29 track is simply a humorous interlude to some more intense tracks.
Overall, Blonde was worth the wait – truly! It combines angst with humor; rapid sequences of lyrics along with one or two words repeated for a single track. There’s something for everyone in this album – & all of it is for me.
I’ll admit – it took me a full year to really get into ANTI. I didn’t understand the flow of the tracks at first…still, I kept coming back to it. In the end, Rih did not disappoint – when does she ever? Famous features like SZA & Drake pique the interest of other fan bases – & yes, the songs with those two are great. In fact, it’s how I found out about SZA. Songs like “Desperado,” “Needed Me,” “Pose,” & “Sex With Me” are some real anthems of empowerment; of the beauty of independence; of the marvel of self love. Meanwhile, tracks like “Love On The Brain” are for the tenderest of moments; it feels much older than it actually is. Then – what better song to listen to than “Kiss It Better” with your crush, just to give you that extra boost of confidence….? Try it.
It’s a good album. I’m very sorry it took me that long to appreciate. But now, I appreciate it with all my heart. That counts, right?
I only knew about Kanye West from the Katy Perry song more than a few years back: “E.T.” Oh – I knew about & liked “Mercy,” but he only had a few verses in it; it was more of a collaboration type of deal.
I heard about the Yeezus album on – believe it or not – NPR. Yup! Fresh Air (an NPR show) didn’t interview Kanye, but they did play one song: “Bound 2.” That was the first song that I truly ever heard Kanye as a solo artist, not a collaborator. I was intrigued by the mixing of retro tracks with new verses by Kanye himself. I loved the cover art. I was…taken aback by the music video Kanye made with Kim Kardashian (I was still young…okay?). But most of all, I was intrigued. That’s when I really started getting into listening to beats of songs. Yeezus flows exquisitely well, in my opinion. There are some intense – almost horrifically intense – songs like “On Sight,” or “Black Skinhead.” There are others like “Hold My Liquor” – this song combines some of the melancholy heard on 808s with a heavy, sometimes screeching beat, along with aggressive yet emotionally expressive lyrics. I was intrigued at how “Bound 2” seemed to be a goodbye to the world; a hello to his wife (wait, were they married then?) & the children they would soon be having. I like to think of it as a great depiction of how meeting someone you truly end up loving makes you feel – normal things are beautiful. “Red cups on the lawn,” not telling your mom, speaking about infidelity as well as loyalty. It depicts a faulty yet loving relationship, in my opinion – sure, told from the standpoint of a man, but nevertheless, Kanye’s right – sometimes you don’t remember the day you first met; that’s okay. It’s also okay to write a song about it being okay.
Zayn Malik has not been…the most politically correct these past few years, let us say. He was the rogue – left One Direction, broke all our hearts, & went out & got cozy with Gigi Hadid, reinvented the importance of Twitter celebrity feuds – & released an album that knocked me speechless.
No, I’m not a fan of all Zayn has said & done. But his album is objectively good – “Pillowtalk” was a great single – both visually & musically appealing. His track organization was meticulous; each song flows into the next – literally. Each song ends with the beginning of the next song. Like I’ve already said – I have a weakness for that kind of album style. Each & every song from the album is pleasant to listen to, but all together they are a journey.
“Pillowtalk” will always be iconic for me…but “dRuNk” (thank you, quirky type style), “INTERMISSION: fLoWer,” “BLUE,” “BRIGHT,” & “SHE DON’T LOVE ME” all touch me in different ways. It’s a good album to listen to when you’re in your feelings. Zayn’s been flying quite low since he dropped his album & did a promo tour…who knows what he’s up to? I certainly don’t – but I do know that Mind of Mine is an excellent album with a great flow.
At arcades, blasting Mind of Mine.
Okayyyyy. Another album I waited for as eagerly as I did Frank Ocean’s. No…that’s a lie. I waited even more eagerly for this one. Like I said – Lorde is someone I really identified with – I still do. I wondered if she would be able to capture the sensation of late teens & early adulthood. That was the night before she released “Green Light” as her first single. The next morning, I woke up feeling like I should go dance on top of a car, or a roof…a strange bathroom. It was different, it was new, but it was undoubtedly Lorde. It speaks volumes when an artist’s sound changes subtly yet powerfully. There was no major “rebranding” here – no new lifestyle, no drastic changes. Lorde – or Ella – grew up. She cut her hair, she didn’t wear purple lipstick as much. She went through a big breakup. She vomited outside house parties. She was living & dying – every night. I could identify with that – big time. Melodrama was this year’s summer album, & it’s an album I’ll associate with this specific time for the rest of my life.
As for favorites? When people ask me, I have no idea what to say. They’re all uniquely appealing, & at the end, it depends on what I feel like that day. Sometimes, “Hard Feelings/Loveless” is all my soul needs. Other days, I need to cry to “Liability.” Some days, I want to dance on a rock in the middle of a creek to “Green Light” – & yes, I did that the other day…all by myself. It’s what she would do, isn’t it?
Lorde gave me some real material here – coming-of-age, romanticizing normalities, being more open & vulnurable with those around you. Making closer friends, not trying to increase the volume of friends. Realizing that loneliness can be beautiful, & sometimes a walk (or dance) down your beach/sidewalk/street/nearby mountains all by yourself is exactly what you need.
Lorde cut her hair – so did I. We both experienced crushing life events over the past few years. So did all of you. Lorde’s writing is now infinitely approachable – who doesn’t feel like a liability at least once in a while? What college student can’t relate to “Perfect Places” even in a small way? Why wouldn’t you want to feel dangerous & beautiful by turning up “Sober?” Don’t forget about Supercut – it’s raw, it’s real, it is infinitely emotional.
I was lucky enough to have the money to buy tickets to see Lorde – or should I say…one ticket? That’s right! I’m going by myself, I’m sitting in the nosebleeds, & I wil dance my heart out. It has long been a dream to attend a Lorde concert; I was sad I didn’t have my shit together to do it last time she came around. This time, however, will be better. More songs…more to talk about. I can’t wait. & I love Melodrama. Did I say I love Melodrama?
That’s it for the diary – for now! Let me know via social – or the comments! – what kinds of personal entries you’d enjoy seeing. I love being inspired by you, & I love feedback! Also: tell me your top 10 “never hit skip” albums – or just one album. I’m always looking for new ones.